Matrimonial Service Agency in Jharkhand
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| Matrimony Website in Jharkhand |
The cultural system in Jharkhand is rich and diverse and as a result unique in its very own way. People treat guests as God and serves them and takes care of them as if they are a part and parcel of the family itself. Superb craftsmen for generations, the tribal communities of Jharkhand have created and perfected exquisite works of art based in the rich and unique natural resources of this land. Jharkhand is home to a number of languages belonging to three major language families. Indo-Aryan languages include Angika, Bhojpuri, Khortha, Nagpuri, Sadri, Hindi, Urdu, Oriya and Bengali.
Our motive to write this blog to introduce our matrimonial services to the all community of Jharkhand. We, Wmmatrimonial.com, are one of trusted and verified Indian Matrimonial Service Provider Agency, give 100% quality based services. Before writing about our services, we must share with you the wedding culture in Jharkhand.
Wedding Culture in Jharkhand
The weddings in Jharkhand are comparatively simple but still extremely classy and sophisticated.Women prefer wearing silk saris while men opt for either dhoti kurtas or kurta pajamas.There are three many ceremonies in a typical Jharkhand wedding. They have some pre wedding and post wedding rituals. From all wedding rituals, we give a small description on that.
Pre -Wedding Rituals
Satyanarayan katha: A wedding commences with the Satyanarayan katha, a prayer service which is performed by the groom's parents along with the groom.
Cheka: On an auspicious day chosen for the formal engagement,all family members along with the groom visits the bride's place with gifts. The bride and groom exchanges rings to formalize their relationship. The next day, the similar ritual is repeated by the bride's side at the groom's place.
Haldi kutai: This ritual involves the groom's mother along with other suhasinis (married ladies) grinding whole turmeric into a paste which is later sent to the bride's house for the ubtan ceremony. The same ceremony also takes place at the bride's place.
Tilak: This ritual refers to the bride's brother's visit to the groom's house as a mark of acceptance of the alliance. The brother of the bride applies tilak (teeka) on the groom's forehead and presents him and his family with pleasantries (like silverware, utensils, sweets, jewellry) as a token of good wishes.
Mandappachadan: This ritual refers to the formal establishment of the mandap (pandal) for the wedding. Originally made with bamboos and decorated with banana trees and mango leaves, it is not much in vogue nowadays. Five senior married men establish the harish (a symbol of good agriculture) made of wood in the center of the mandap.
Dhritdhaari and Matripoojan: Dhritdhaari and matripoojan are two rituals performed to seek forgiveness and blessings from the dead ancestors as well as the living elders respectively at both the bride's and groom's places. The parents of the bride/groom offer paun pooji (clothes or cash) to them for coming and blessing the prospective bride/groom.
Silpoha: This ritual is held in the early hours of the day of wedding by the groom's mother supervised by her mother-in-law . They are also accompanied by other female relatives. The groom's mother along with her mother-in-law grinds akshat (rice) on a flat grinding stone under the cover of a chunni (shawl). As they grind, they seek blessings from the gods and elders for a hassle-free wedding.
Imli ghutai: The ritual of imli ghutai is performed by the groom's maternal uncle-aunt to ward off any bad omen and to advise the groom to keep away from any vice. The uncle then feeds him a betel nut which the groom holds with his teeth. His mother then takes it away from him and eats it herself, signifying that she shall take away all the bad omens falling upon her son herself.
Wedding Rituals
Paricchavan: As the groom readies to leave for the wedding venue, his mother performs an aarti, puts a tilak on the groom's forehead and prays that no evil can harm him. She blesses her son for an auspicious beginning.
Baraat prasthaan: In a decorated car, accompanied by sahwala (best man, usually the younger brother), the groom leaves for the wedding venue with his family and friends. At the wedding venue, the groom's family members are greeted and garlanded by their counterparts in the bride's family. The groom, seated in the car, is welcomed by the priest who applies a tilak and helps him out of the car. The bride's father then escorts him to the wedding venue.
Jaimala: The bride is now brought out to the venue where she performs an aarti of the groom. This is followed by the couple's exchanging of garlands.
Galsedi: Before the wedding rites begin, the bride's mother with other married women perform the galsedi ceremony wherein she carries a plate containing a small lighted lamp, betel leaves and small lumps of cow dung. One by one, all the women heat the betel leaves on the lamp and foments the groom's face, forehead and eyes using their left hands at least five times each. Meanwhile, the rest of the women throw the lumps of cow dung behind the groom.
Kangna bandhana: The bride's brother/brother-in-law escorts the groom to the altar where he is joined by the bride wearing a yellow silk sari without any jewellry. The priest ties the bracelets made of mango leaves, cotton thread, coloured rice, turmeric and money on the couple's right hands, which they are meant to wear for the next four days. The barber, present in the altar, now cuts the fingernails and toenails of the couple.
Kanyadaan: Following this, the kanyadaan ceremony takes place. The bride's father stretches out his right hand, on which the bride's mother places her right hand. Then the groom places his right hand over which finally the bride keeps her right hand, holding a conch. All this while, the priest chants mantras and the bride's parents give away their beloved daughter to the groom. Post this ceremony, the groom retires to his rest room and the bride changes her sari for the kanya nirakshan when she is formally introduced to the groom's relatives.
Pheras: The couple now takes the pheras around the sacred fire. As they encircle, the bride gently throws lave (roasted husked rice) into the fire from a soop (a three-sided conical cane basket) she holds while her brother refills the soop from time to time. After this, the groom applies sindoor on the bride's forehead, starting from the topmost point of her nose to the parting of her hair. While this is repeated five times, the bride's eyes remain shut throughout the act. The groom finally puts the mangalsutra/taagpaag around the bride's neck to formally end the wedding rituals. The newlyweds then retire to the decorated bridal chamber.
Post-Wedding Rituals
Vidaai: The bride's brother escorts the newlyweds to a bedecked car. As the car moves, the family members shower them with akshat and flowers. The car moves forward and backward thrice, to ward away any evil omen and then finally takes off.
Swagat aarti: As the newlywed couple arrives, the ladies of the groom's family performs an aarti and showers them with akshat and flowers. The groom's sister places a copper vessel filled with rice, a plate of alta (a red colored water) and two cane baskets. The bride gently pushes the rice-vessel with her right foot, which she then places on the plate of alta.
Mooh dikhai: This is for the bride by the groom's family as to what salami was to the groom at the bride's place. In particular, the groom's mother gifts the new bride a pair of gold bangles.
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